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Share“Urban exploration, Nordic LARP, drones, 3D printing. What makes these things compelling social/conceptual objects?
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Share“We come back to fubar as an aesthetic of secular revelation.
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Share“Think about @futuryst’s ‘killer imps’ to consumer culture’s ‘killer apps.’
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Share“Fucked up beyond all recognition. So complex, so utterly borked, that it’s suddenly alien, other, or unfamiliar. There’s a frisson, there.
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Share“@iamdanw @justinpickard Justin – I think the term you’re looking for is “postmodern”. Endless possibilities and remixing, etc.
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It’s definitely a legacy of postmodernism: a cascading collapse of grand narratives, shifting social values replacing the previously held assumptions, major shake-ups in aesthetics. But if it was postmodernism, we’d be debating this only in a theory journal somewhere. I mean, ostensibly, there are people somewhere actually making money off of this. I’ve made a little money off of it, though not earning a living. And that’s the point, right? This is a carnival side show, but a carnival side show that will be scanning your home with infrared cameras looking for illegal activity, while we gawk at the skies.
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Share“@Zero – Remixing may (?) be necessary, but it’s insufficient.
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Share“@justinpickard Of course! That’s the conclusion anyone with a sense of aesthetics comes to when they study postmodernism. :)
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Share“@justinpickard Algorithms & chips so complicated they cannot be fully understood is very Lovecraftian.
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Share“@Zero – It *could* be a more recent iteration of postmodernism, I suppose, but I’m not entirely buying it.
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If I could make a guess, one of the reasons that Mr. Pickard doesn’t buy it as postmodernism, is because he is selling it, as much more than theory. He is an associate writer & futurist at @superflux, which is a design firm that… well, in their own words:“We work closely with clients and collaborators on projects that acknowledge the reality of our rapidly changing times, designing with and for uncertainty, instead of resisting it.
“We are particularly interested in the ways emerging technologies interface with the environment and everyday life, and with proven experience in design, strategy and foresight, Superflux is in a unique position to explore the implications of these new interactions. Ultimately, we strive to embed these explorations in the here-and-now — using rapid prototyping and media sketches to turn them into stimulating concepts, experiences, products and services.”
Or, pulled into this discussion completely out of context, in their own tweets:
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Share“‘Playing pop music via paper posters with conductive ink’ @ileddigital @petepigeon show their new work on BBC news: bbc.in/wZfO9z
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Share“New Superflux intern @rpluvina’s portfolio includes an Inuit sled, iPhone spaceships, and jelly as an interface: pluvinage.eu/
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Share““Any food you can throw into your peers’ mouths will be a hit in space.” The Future of Space Food @sciencemuseum: bit.ly/z2od0W
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While the many realities and non-realities of design-fiction are subject to on-going debate, it is clear that this is this is more than a intellectual exercise. Speculation is business. Speculation is industry. There is a need to be thinking very seriously about things that don’t quite exist yet, and there are people who are better at it than others. Their skill is such that they are paid to exercise it. This is a confusing terrain, but some people are drawing maps. They aren’t simply playing language games with it, or debunking it in a rehash of the Sokal controversy. How do you debunk a drone?
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Share“@justinpickard Okay, well, I suppose that depends what you are specifically referring to as “it”. What doesn’t fit?
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Share“@justinpickard “… old Morryster’s wild algorithm for setting Amazon m-place prices, and the whispered-of news aggregator of Remigius …”
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Share“@justinpickard “… but none of these compared to the unmentionable Necronomicortex processor of the mad Arab Abdul Alhazred …”
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Share“@WillWiles @justinpickard Only because technology sufficiently advanced is indistinguishable from magic. It’s the fundamental problem w/tech
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Share“@Zero @justinpickard Only because? *Exactly* because.
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My personal alteration of the Arthur C. Clarke quip is that “an insufficiently understood _____ is indistinguishable from an insufficiently understood _____.” Of course, these days, everything is insufficiently understood, and so future-weird generally looks a lot like everything else that is future-weird. I mean, someone at a university understands how those quadrocopters fly in neat square formations through windows. But the rest of us just stare at the Youtube video, mind and jaw agape.
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ShareA Swarm of Nano Quadrotors
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Share“@justinpickard I think there’s a uncanny valley of concept-shifting weirdness. Call it the intriguing valley.
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The glowing LED stalls of the future-weird semiotic marketplace on Fascination Street. Yes, you’ve been there. We all wish we were there more often. Don’t we?
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Share“@justinpickard I’d also add Bitcoin to that list. Internet of Things. Various mobile data weirdnesses. Certain New Aesthetic artifacts.
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And pretty much all the things that Rhizome.org has been so lovely as to let me write about, in my brief “career” in this jurisdiction. I don’t mean this simply as self-promotion (though it clearly is), it is just that the Intriguing Valley has kind of become my beat.
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Share“@Interdome @justinpickard Robot beasts, weaponized public opinion, musical contraptions, game-abuse art.
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This story is unfinished. But while I am listing a bunch of things that are “of the iceberg” here, let me also throw out these notes by Joanne McNeil (@jomc) about the New Aesthetic. Joanne is someone who is very much in this conversation in my mind, even if she never tweeted in this Storify. She’s the editor of all of those Rhizome pieces I listed above, and she gets it. Even more than giving me a venue for those pieces, it is the pieces she has rejected that have been formative to shaping the Intriguing Valley, in my understanding. Not everything falls into this category, and we wouldn’t want it to do so. This is not a catch-all lumped together category of things we do not otherwise understand, but is a positive principle in and of itself.http://joannemcneil.com/index.php?/talks-and-such/new-aesthetic-at-sxsw-2012/
“Technology has always meant seeing things more clearly — with every advance we move closer to understanding what the world is about. With progress come new points-of-view, new perspectives, new ways of seeing…”
…and yet our visions are filled with things are are confusing. Not shadows or phantasms, or mysticalized-for-profit apophenias. The Intriguing Valley is a place for specificities of the future. The things that most definitely exist, and yet we just don’t get quite yet. A growing number of people (unsurprisingly, on Twitter and related networks) are versing themselves in the topology of this Valley. The future is looking weird.I feel like there should be a Twitter list associated with the Intriguing Valley. That might be the next step.






